Kathleen Barry’s The Prostitution of Sexuality: The Global Exploitation of Women

Kathleen Barry’s The Prostitution of Sexuality was first published in 1995 and grew out of her work and activism following the publication of Female Sexual Slavery in 1979. The first half of the book, which is just theory, is brilliant. The second half felt outdated as it is based almost entirely on the research undertaken for Female Sexual Slavery. I would argue that the situation is actually worse now than it was even 10 years ago, particularly in relation to rape as an accepted tactic of war. I’d be interested to read an epilogue to the book which examines the reality of women’s experiences of sexual exploitation now and whether Barry thinks it is worse for women or if its just that I’ve become more aware of sexual exploitation.

I cannot recommend this book enough though. Barry’s theory on the global exploitation of women is incredibly important. She destroys the idea that prostitution can be consented to within a capitalist-patriarchy. She clearly proves that the sexualisation of human bodies renders women passive objects and men active participants. Barry challenges the heteronormative construction of pornography and prostitution and the hegemonic nature of capitalism which is built on the bodies of women.

I am adding this book to my list of Top Ten Feminist Theory Texts (in no particular order):

1. Andrea Dworkin’s Intercourse

2. Cordelia Fine’s Delusions of Gender: The Real Science Behind Sex Differences. 

3. Susan Faludi’s Backlash: The Undeclared War Against Women

4. Kat Banyard’s The Equality Illusion: The Truth about Women and Men Today

5. Susan Maushart’s Wifework: What Marriage Really Means for Women

6. Sheila Jeffreys’ Beauty and Misogyny

7. Susie Orbach’s Fat is a Feminist Issue

8. Kate Millett’s Sexual Politics

9. Melinda Tankard Reist’s Big Porn Inc

10. Kathleen Barry’s The Prostitution of Sexuality: The Global Exploitation of Women

Realm of the Goddess by Sabina Khan

I first heard of the Realm of the Goddess in a blog with author Sabina Khan on Women Writers, Women Books. As the mother of two daughters, it was this that got my interest:

Disappointed at this obvious lack of diversity to choose from, I decided that I would write one myself. I feel strongly about the need to expose our youth to the magical and colorful traditions that make up our world. I also want my daughters to read about characters like themselves, so that they are not always reading about “others”. Or feeling that they are always the “others”.

My children and others of their generation may or may not want to read about the immigrant experience. But they certainly want to see themselves reflected in the fiction of their time. They want to see characters like themselves battling evil, falling in love and fighting with their parents. They want to know that others like them are dealing with conflicts as diverse as arranged marriage, education, religion and all of the issues that plague young people, regardless of their ethnicity.

As a lover of the genre of fantasy in young adult fiction, I wanted to read a book that was outside the vampire/werewolf/witch theme. I was going to put the book on my Amazon wishlist (600 books long and growing), but it was free on kindle so I downloaded it. And, then couldn’t put it down. It is very difficult to build lego for your kid whilst trying to read a book at the same time and not to  be recommended.

Realm of the Goddess does follow the pattern of vampire/ werewolf / witch books but with Hindu mythology. That alone makes it stand out from the crowd, but it is the richness of detail of Hindu mythology that makes this book so fabulous. The inclusion of the mythology is not forced or that dreadful Wikipedia-style history which made A.S Byatt’s The Children’s Book so unbearable. As a history nerd, I do love historical youth fiction and ones which are correct are hard to find. Granted I knew only the basics of Hindu mythology, but reading this made me want to read more (all recommendations of books written by women gratefully received!).

The main character Callie was fabulously written with depth and intelligence. She also ate actual food with gusto – all kinds of food from the traditional dishes of her family to cheeseburgers and pizza. Her hair was never perfect standing straight up on end when she awoke to the frizz of humidity. Callie reminded me of the character of Claire Danvers in the Morganville Vampire books: intelligent, strong, loyal, and kind. The female characters in young adult fiction are frequently unbearable with their desperation to be with a man. Callie does have a love interest (and they do kiss) but the discussions of the relationship focus on what Callie believes is best for her. Realm of the Goddess joins the Morganville Vampires in being as close to feminist-friendly as can be written. This is why it will never get the publicity of Twilight, which reinforced the norms of our patriarchal culture. Callie not only challenges these norms, but also talks about the reality of male violence and rape. In fact, rape and other forms of male violence are integral to the plot and are clearly labelled as the sole impediment to women’s liberation and power.

This is the hallmark of a great book for me, strong female characters who are real. I want to read more by Khan as well as more books written about Hindu mythology.  I want to see Khan publish a fact book on Hindu mythology like Rick Riordan did for Greek mythology with his Percy Jackson books.

I’m also restraining myself from emailing daily to ask when she’s going to publish the second book.

“Deeply Romantic” : Paula McLain’s The Paris Wife

I received a free copy of Paula McLain’s The Paris Wife via the Mumsnet Book of the Month Book Club. I’ve enjoyed most of the books I’ve received free copies of with the notable exception of Aimee Bender’s The Particular Sadness of Lemon Cakewhich bored me senseless and I gave it up after 50 pages. The Paris Wife, though, made me rage incandescently.

It started with the comment on the front from Sarah Blake who wrote The Postmistress : “As much about life and how we try to catch it as it is about love even as it vanishes …”. My first instinct was to bang my head off my desk. This is a book about Ernest Hemingway’s first marriage; the Ernest Hemingway who isn’t precisely renown for his respect for women. I’ve not read Sarah Blake’s The Postmistress so I don’t know if this book represents her understanding of love but it sure as hell doesn’t meet mine.

The back cover is worse. It bears the quote “Deeply Romantic” from the Times Literary Supplement which is a publication I generally avoid because of, well, Rupert Murdoch. The less said about that man, the better. But, back to the point: “Deeply Romantic.” This is the story of an psychologically abusive man who belittles and isolates his wife Hadley at every opportunity whilst they live in Paris and then, in a grand gesture of romance, tries to get her to live in menage-a-trois with his mistress; one of Hadley’s only “friends.”

There is nothing ‘romantic’ about this relationship. Hadley is a lonely and isolated young woman who enters into a relationship with the first man she really manages to meet whilst living in a fairly suffocating family situation with a dying mother. Hadley may be several years older than Ernest but this isn’t a relationship of equals. She gives up everything for him and he tries to destroy her.Ernest used Hadley because he could but he had an escape route and she didn’t. This isn’t romance. It’s psychological abuse and it is utterly misogynistic to pretend otherwise. Ernest had sex with another woman in the same bed as Hadley. It doesn’t matter that this other woman becomes his second wife Pauline or that she instigated the encounter. The point is this is a self-destructive man destroying the women around him and burning through friendship after friendship with his narcissism. This isn’t romantic behaviour. It’s soul-destroying.

Whilst this is a fictional account and we can not know what happened during Hadley and Ernest’s marriage for certain, it is utterly irresponsible to peddle this kind of victim-blaming misogyny as “romance.” If this were advertised simply as a fictional/biographical account of their marriage, then it would be an incredible book because it is beautifully written and McLain has some lovely descriptions of the loneliness within marriage and the feelings of isolation from everything but it’s peddled as a “romance”. That is dangerous because it reinforces a cultural trope about “artistic” men which blames their victims for not being “understanding.” Roman Polanski has benefited quite well from this trope which has allowed him to take no responsibility for his very serious crime of child rape. And, get a standing ovation for his Oscar which was, frankly, one of the most appalling scenes of mass victim-blaming ever.

If Hadley were my friend, I would be phoning Women’s Aid on her behalf. The trope of abuse as romance is destructive and violent. It starts when we tell little girls that the boy in their class who pulls their hair and calls them smelly “loves” them. We teach our daughters that men don’t know how to communicate love effectively so have to resort to crass bullying and violence. Good men don’t need to have their egos stroked daily nor do they get upset if you have friends. Good men don’t treat their wives as appendages to be discarded when they get “old” or have the temerity to give birth and change the shape of their body.

Don’t get me wrong. I did enjoy this book. It is beautifully written and McLean’s descriptions of their marriage are equally sad and moving but this isn’t romance. It isn’t love. It also isn’t actually about Hadley; mostly Hadley serves as a tool for defining Ernest. Depressingly, the book is really all about him. Hadley is just there, in the background, serving no purpose except as “sweet little wife” to big, important author. It would have been more interesting if it had been about Hadley. We spend far too much time celebrating “Great Men” and not enough time simply acknowledging women. The thing which would improve this book is to have advertised it as ” The Real Woman’s Guide to Spotting an Emotionally Abusive Fuckwit,” then Hadley wouldn’t be insignificant in her own story.

As long as we keep peddling these relationships as “romantic,” we will continue to institutionalise Intimate Partner Violence as normal. The Paris Wife might be representative of Hadley and Ernest’s marriage but it most certainly should NOT be representative of marriage.

I call this The Norman Mailer Rule. If you meet a man who says Mailer is romantic, don’t date them. Life is too short and love too precious to waste on these relationships.

These are the signs of Intimate Partner Violence as outlined by Women’s Aid:• Destructive criticism and verbal abuse: shouting/mocking/accusing/name calling/verbally threatening

• Pressure tactics: sulking, threatening to withhold money, disconnect the telephone, take the car away, commit suicide, take the children away, report you to welfare agencies unless you comply with his demands regarding bringing up the children, lying to your friends and family about you, telling you that you have no choice in any decisions.

• Disrespect: persistently putting you down in front of other people, not listening or responding when you talk, interrupting your telephone calls, taking money from your purse without asking, refusing to help with childcare or housework.

• Breaking trust: lying to you, withholding information from you, being jealous, having other relationships, breaking promises and shared agreements.

• Isolation: monitoring or blocking your telephone calls, telling you where you can and cannot go, preventing you from seeing friends and relatives.

• Harassment: following you, checking up on you, opening your mail, repeatedly checking to see who has telephoned you, embarrassing you in public.

• Threats: making angry gestures, using physical size to intimidate, shouting you down, destroying your possessions, breaking things, punching walls, wielding a knife or a gun, threatening to kill or harm you and the children.

• Sexual violence: using force, threats or intimidation to make you perform sexual acts, having sex with you when you don’t want to have sex, any degrading treatment based on your sexual orientation.

• Physical violence: punching, slapping, hitting, biting, pinching, kicking, pulling hair out, pushing, shoving, burning, strangling.

• Denial: saying the abuse doesn’t happen, saying you caused the abusive behaviour, being publicly gentle and patient, crying and begging for forgiveness, saying it will never happen again.

Denise Thompson’s Radical Feminism Today

I loved this book. I was quite relieved though when I discovered that the title wasn’t the one Denise Thompson intended though. The book was based on Thompson’s PhD entitled: Against the Dismantling of Feminism: A Study in the Politics of Meaning which is a much better title considering the book is about defining feminism and not about the state of radical feminism today (or as it was in 2001). Why the publisher thought the title Radical Feminism Today was an appropriate title for a book on defining feminism is, frankly, boggling.

Thompson is a radical feminist and her definition of feminism is about male domination. In this she critiques a wide variety of feminist  and non-feminist writing which use terms like patriarchy, gender and sex without referencing biology or the reality of male domination and male supremacy. A feminism which does not recognise this reality is not, in fact, feminism.

Thompson deals with the issues of gender, race and class by insisting on the primacy of male domination and supremacy: women all suffer from the effects of the Patriarchy which is historically and culturally contextually whilst acknowledging the importance of multiple oppressions in how women experience Patriarchy. A major theme throughout the text is that we simply are not working with defined terms; instead we allow them meanings which do not have biological realities (gender). In order to do feminism, we must define what it is we mean by feminism and cannot simply be by women for women otherwise it is reduced to the idea that everything a woman does is feminist because a woman does it. Feminism has to recognise male supremacy and domination or it is simply irrelevant.

This is one of my favourite quotes:

The sense in which feminist theory is universal does not entail that feminism is as a matter of fact all-inclusive, either of women or the human race, but that it is open and non-exclusionary. Feminism has universal relevance because it addresses itself to the human condition.

Radical feminism, in theory, has always been all-inclusive. It has been the individual failings of women to understand the multiple oppressions of other women which have resulted in the continuing marginalisation of women of colour. It is not the theory which is problematic but how we use it.

There are parts where I disagree. I do think she is unnecessarily defensive of criticisms of white feminism, particularly in relation to Audre Lorde’s letter to Mary Daly. Both examples given by Thompson as a reason to object to Daly’s racism are incredibly important and I did not realise just how badly Daly had missed the issue of racism in her own writing. I find Daly’s text more problematic having read Thompson’s book, yet, I find Thompson’s criticisms of Lorde odd. Lorde published an open letter to Daly having waited 4 months for a response to private communication. It was also an open letter, not a peer-reviewed article with footnotes. Lorde didn’t give a detailed breakdown of the racist undertones of Daly’s work because she wasn’t writing a book review for a major academic journal. Criticising Lorde for not writing a peer reviewed article with footnotes seems a bit, well, petty.

It’s a great book on how feminism is undermined and erased through the use of sloppy language and ill-defined terms. I highly recommend it!

I’ve storified a selection of quotes from the text here which are definitely worth reading.

Abortion on demand is a mandatory requirement for women’s liberation

Whilst abortion is legal in the UK, it is not available on demand.* Abortion can only be carried out in the first 24 weeks of pregnancy if two doctors agree that “abortion would cause less damage to a woman’s physical or mental health than continuing with the pregnancy”. That’s only if you’re lucky enough to live on the mainland. Abortion isn’t available in Northern Ireland. There are some obvious exceptions to the 24 week rule involving saving the life of the mother or preventing grave or serious injury to her; as well as the more difficult issue of aborting a fetus due to disability.**

I find any limits on abortion problematic. I think all women should have access to abortion when they want it without having to faff about finding two doctors who agree to the procedure. Having to find two doctors just extends the unwanted pregnancy unnecessarily causing added stress. The right to decide what does and does not happen to one’s own body is a fundamental issue of self-determination. I believe that women have the right to abortion at any point in their pregnancy; after all 91% of abortions in 2011 were before 13 weeks. There are very, very few abortions after the 24 week point and, no, the Sarah Catt case isn’t representative of anything. She was denied an abortion and therefore chose to self-abort. Catt was also not convicted under the abortion laws; instead she was found guilty of an archaic law from the mid 19th century. Women are perfectly capable of deciding if and when they need an abortion without having to discuss it with two doctors; doctors who may or may not be anti-choicers.

The language around accessing abortion itself infantilises women. We can only have an abortion if someone else tells us we can. Not because we want one. Not because we need one. But, because someone else deems it medically necessary. Abortion should be available to women at any point in the pregnancy because the woman deems it necessary and not because someone else gave her permission to do so. I also dislike the rhetoric around “good” abortions for victims of rape versus “bad” abortions for women who have had the temerity to have consensual sex without wanting to get pregnant. Any attempts to create a hierarchy of acceptable reasons for women to have abortions just limits women’s choices. It is the heart of woman-hating. This is without getting into the fact that many women have to access abortions for financial reasons. It’s hardly a choice if you are having an abortion because you can not afford to feed a child. That is why we have a welfare state [or did before the ConDems destroyed it]. Limiting access to abortion gives others rights over women’s bodies. It serves only as a punishment for the crime of being born with a vagina.

Anna Politkovskaya – A Small Corner of Hell: Dispatches from Chechnya

UnknownIt feels like I have read this book a thousand times. This is just another war with another brave woman crossing into hell to report on genocide, mass rape and the real consequence of capitalism. I have read it a thousand times reading testimonies of Holocaust survivors – Odette Abadi, Eva Brewster, Ruth Elias. I’ve read it when the countries named were Rwanda, the Democratic Republic of Congo and Bangladesh. I’ve read Linda Polman’s catalogue of failures of UN peacekeeping forces in Somalia and Haiti. I have read it in Beverly Allen’s Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia  and Anne Llewellyn Barstow’s War’s Dirty Secret: Rape, Prostitution, and Other Crimes against Women. I have read Judith Zur’s research into memories of violence among Mayan Indian war widows. I have read about the Rape of Nanking and the slaughter of civilians at Mai Lai. And, I read every blog posted on Women Under Siege about BurmaNorth KoreaLibyaSri Lanka Darfur and countless other war zones where sexual violence is an intrinsic part of genocide. I have read feminist texts like Beatrix Campbell’s End of Equality  which demonstrate the direct link between capitalism and the oppression of civilian populations through sexual violence and war.

The names of the perpetrators change. The name of the conflict zone changes. The civilian populations targeted change. The names of the reporters changes. The names of those murdered grows longer. But, still the Twentieth Century remains one where genocide, mass rape and torture were normal – a  century where more people lived in abject poverty without access to clean water, sanitation and even food in order to perpetuate a capitalist economy that privileges very few.

Anna Politkovskaya’s text is powerful, distressing and enraging. It is a catalogue of torture, murder, rape and the acceptability of concentration camps all whilst the rest of the world looks on and does nothing. It is about men’s desire to exert control and power: to control natural resources, including people. We allow children to starve to death and grandmothers to perish from preventable diseases despite having the ability to prevent them because it would interfere with men’s desire for power.

We upgrade to an iPhone 5 when our iPhone 3 would work just as well because we must have the newest toy; never mind that this desire continues the war in the Democratic Republic of Congo. We see thousands of boys conscripted into armies to fight other boys and taught to rape to build bonds of brotherhood so that a few men can control a mine. We buy from Tetley, despite their perpetuation of the modern slave trade. We buy new clothes ever 3 months even though we know that there are women and children working in subhuman factories making them. We fight a “War on Drugs” which serves only to make weapons manufacturers richer.

After the Holocaust, the world swore “Never Again”. And, it’s happened over and over and over and over again. We owe the millions of people who have been brutally tortured, raped and murdered in wars across the world to, at the very least, acknowledge their experiences. We owe it to them to make sure their lives are heard. Politkovskaya’s text is essential reading because we cannot continue to pretend that civilian casualties and male violence are normal behaviour. We cannot turn our backs any longer to human rights abuses that we support financially through our purchase of laptops and tea.

Politkovskaya documented genocide and was murdered for her work.

Two weeks ago, 200 young girls were kidnapped in Nigeria whilst the world looked away. Some have escaped but many remain missing. And, the media does not cover the story.

Our planet is dying from abuse and our most precious resource, people, are being slaughtered in the name of the capitalist-patriarchy.

A Small Corner of Hell: Dispatches from Chechnya is a must read because we cannot live like this.

 

 

Radical Feminism and the Accusation of Gender Essentialism

(This is an early draft of an article that was published in the Feminist Times)

 

The most common criticism of radical feminist theory is that we are gender essentialist because we believe that women’s oppression, as a class, is because of the biological realities of our bodies. The assumption that radical feminists are essentialist is based on a misunderstanding of radical feminist theory, which starts from the definition of “radical” itself. The term “radical” refers to the root or the origin. It is radical insofar as it contextualises the root of women’s oppression in the biological realities of our bodies (sex) and seeks the liberation of women through the eradication of social structures, cultural practises and laws that are predicated on women’s inferiority to men. Radical feminism challenges all relationships of power that exist within the Patriarchy including capitalism, imperialism, racism, classism, homophobia and even the fashion-beauty complex.

Radical feminists do not believe that there are characteristics that are uniquely male or uniquely female. Women are not naturally more nurturing than men and men are not better at math. Gender is not a function of our biology. It is a social construct created to maintain unequal power hierarchies. The conflation of sex with gender is another common misunderstanding of radical feminist theory. Sex is the reality of your body with no negative or positive characteristics attached to it. Gender is a social construct that privileges men/ masculinity above women/ femininity. Radical feminism is accused of gender essentialism because we recognise these power hierarchies and seek to destroy them. We do not, as frequently suggested, believe these are natural. It is a silencing tactic.

Women’s oppression as a class is built on two interconnected constructs: reproductive capability and sexual capability. Gender is created to grant men control over women’s reproductive and sexual labour in order for men to profit from this labour: whether this be unpaid labour within the house, in public spaces and childbearing/ rearing. Or, in the words of Gerda Lerner in The Creation of Patriarchy, the commodification of women’s sexual and reproductive capacities is the foundation of the creation of private property and a class-based society. Without the commodification of women’s labour, there would be no unequal hierarchy of power between men and women fundamental to the creation and continuation of the Capitalist-Patriarchy.

When radical feminists use this language of reproductive and sexual capability, we are derided for failing to include women who cannot get pregnant or who do/ do not experience sexual violence. Radical feminism is not about the individual but rather the oppression of women as a class in the Marxist sense of the term. Rape is used as a weapon to silence women as a class. It does not require every woman to be raped to function as a punishment. The threat therein is enough. Equally, the infertility of an individual woman does not negate the fact that her oppression is based on the assumed potential (and desire) for pregnancy, which is best seen in discussions of women’s employment.

There are countless studies that discuss men’s refusal to hire women during “child-bearing” years despite not knowing whether or not that individual woman can conceive or carry a foetus to term (or the fact that it’s illegal to discriminate against women for pregnancy in the first place). It is the potential for pregnancy, which is used as a way of controlling women’s labour: keeping women in low-paying jobs and maintaining the glass ceiling. Constructing women as “nurturers” maintains the systemic oppression of women and retains wealth and power within men as a class.

Just this week, New Hampshire state Rep. Will Infantine (R) has stated that women deserve to be paid less than men because men work harder. The Equal Pay has existed since 1970 and yet women are still consistently paid less than men based on gendered assumptions about the value of women’s work. This is without investigating the intersections of racism, classism and misogyny, which result in women of colour being paid substantially less than white women for similar work.

Even something as basic as a company dress code is gendered to mark women as otherHarrods requires women staff members to wear make-up – a fact that became public when former employee Melanie Starkcomplained to the press about being hounded out of her job. British Airways requires all new recruits to wear skirts because women cannot be expected to look professional whilst handing out meals and pillows in trousers. High heels are frequently required as part of a ‘professional’appearance for women despite the fact that they cause permanent damage to women’s feet and lower limbs.

Women working in the service industry are frequently required to wear clothing that accentuates external markers of sex, particularly their breasts. On the other hand, breasts displayed for the purpose of feeding an infant are considered a disgrace to basic human decency. Sexual harassment is endemic, particularly in the workplace, yet women are punished if they do not attend work in clothing that is considered “acceptable” for the male gaze. The use of women’s bodies to sell products further institutionalises the construction of women as object.

In the UK, two women a week are murdered by former or current partners. Male violence is a major cause of substance misuse, self-harm, and homelessness in women. We know that women are the vast majority of victims of domestic and sexual violence and abuse. And, we know that men are the majority of perpetrators, yet we talk about “gender-based violence” as if men and women were equally perpetrators and victims. Radical feminist theory requires naming the perpetrator because it requires understanding and challenging hyper-masculinity within our culture which results in violence against women, children and other men.

If radical feminists were truly gender essentialists, we would believe that women deserve to be paid less than men. We would support hiring policies that privilege men. We would believe that women’s value is based entirely on their fuckability and childbearing/rearing. If radical feminists were gender essentialists, we would believe that men commit violence because they are born that way. Radical feminists are accused of gender essentialism because we recognise the oppressive structures of our world and seek to dismantle them. It is our direct challenge to hegemonic masculinity and control of the world’s resources (including human) that makes us a target of accusations like gender essentialism, which have no bearing in reality.

Radical feminism does not believe there are male/ female brains or that there are characteristics and behaviours that are innately male/ female. We believe that socialisation creates gender with the express purpose of maintaining current power structures. And, this is why radical feminism is so dangerous to the Capitalist-Patriarchy: we seek to destroy rather fiddle with the margins.

 

Amber E. Kinser’s Motherhood and Feminism

History of motherhood starting at industrial revolution. In many ways, it is a ‘basic’ history of motherhood in the US. Or, at least, it should be a basic history but Kinser traces more than the usual history of white middle class women with its focus on Victorian values, Betty Friedan and the myth of suburbia. Instead, Kinser traces the real history of motherhood looking at how issues of class, race and homophobia/lesbophobia challenge the dominant discourses of motherhood.

Her inclusion of the history of reproductive rights and mothering of Chicana and African-American women is a much needed addition to the feminist movements understanding of history and the complexities of real reproductive justice in a culture where racism and classism create categories of good and bad mothers; which punishes women of colour for becoming mothers.

Kinser also examines radical feminist texts on motherhood and labels them as radical feminist. Usually these texts on women’s history and feminist theory try to erase the term radical feminist and situate women like Adrienne Rich and Audre Lorde out with their theoretical heritage. Shulamith Firestone is simply dismissed. Kinser writes about the history of motherhood as a patriarchal institutional and the challenges to it through an intersectional lens actually addressing issues of race, class, gender, and identities.

Five Wounds by @KatharineEdgar

I have had the absolute pleasure of reading various drafts of this book over the past two years. I started the first draft one evening and spent the following day half-asleep. The worst thing you can do when you have fibromyalgia is stay up late reading a book, but I simply couldn’t put it down as it melds all my favourite parts of literature: a brilliant, capable and feministy teenage heroine and historical accuracy.

5 Wounds is the comingof-age story of 15 year old Nan – a fiercely independent and headstrong young girl whose life changes drastically during a period of revolution and rebellion. Nan was sent sent to live in convent school following an unfortunate incident as a young child. This afforded her a level of freedom and education that many young girls of her class would never have experienced.

However, this is 1536 and the schism between Rome and Henry VIII has changed everything. Nan’s dreams of remaining in the convent and becoming a great Abbess are destroyed after Henry’s troops close the convent. Instead, Nan was bartered as a commodity and betrothed, rather unwillingly, to the much older and frequently married Lord Middleham. Nan’s father gains more land from this betrothal and Lord Middle ham a wife younger than his children. Nan’s Catholic faith, nurtured during her years living in a convent leads to her involvement in the Northern rebellion against Henry VIII during the Pilgrimage of Grace. Nan is forced to choose between her faith and her personal safety. Does she chose treason or eternal damnation?

The true strengths of Edgar’s writing are the character of Nan and the accuracy of the historical context of the Pilgrimage of Grace. Nan is alternately naive and brave, and her flawed choices reflect her optimism, faith and failure to understand the full consequences of rebellion. She is equally a child and an adult – limited by the constraints of her gender but freed by her desire to change the world.

Edgar’s love of history and the breadth of her research only adds to brilliance of the story. 5 Wounds precipitated one of my favourite historical discussion The Great Whether-Or-Not Noble Women Learned to Ride Normally Debate. I voted yes on the theory that noble daughters were valuable commodities and no sensible father would allow an expensive piece of property to remain incapable of escape from the numerous wars/ tantrums and general violence that defines European history.

I loved 5 Wounds. It was fast-paced, exciting and utterly brilliant. I can’t recommend it enough!

You can buy 5 Wounds from Amazon now.

Esther Freud’s Lucky Break

I have to admit here that I never heard of Esther Freud before getting a freecopy of this book from the Mumsnet [non-feminist] fiction book club. I have vague recollections of thinking that I might enjoy watching a Kate Winslet movie called Hideous Kinky but I don’t think I ever got around to actually watching it.

Clearly, this was a massive over-sight on my part since Lucky Break is fucking brilliant [and that’s not just because I’m still cranky about wasting my time reading the misogynist wankfest which was Paula McLean’s The Paris Wife last month]. It is well-written, funny, engaging with a host of characters that you might actually want to be friends with – as well as some men that should immediately put on the list of undateable wankers.Loved the fact that she left the ending open so I could choose their futures. It’s the only disappointing bit of Kris Radish’s The Elegant Gathering of White Snows. The epilogue was unnecessary and ruined my fun of deciding the happiness of the characters. I like the fact that Freud leaves us with an ending which isn’t really an ending. I like being able to believe that Jemma dumps the useless selfish narcissist Dan and waltzes off into her own successful career as a screen writer and actress with 4 children under ten in tow whilst he gets stuck playing a chicken in really bad ads which only air at 4 in the morning. Or, that Nell is actually the successful and incredible actress she deserves to be and finds a real partner and not the usual arsehat that successful actresses end up with in real life. I also hope she waltzes back to the “drama school” she attended and gets to make fun of the directors there who didn’t recognize the real talent when it was in front of them. I like the fact that I can believe that Charlie is finally happy with who she is instead of what she thinks should make her happy.
So, this is obviously an outstanding recommendation since it does deal with the issue of the “casting couch”; that lovely euphemism for the sexual exploitation of women within the industry and the total failure of the industry to take that exploitation seriously. It deals with being invisible for not being a “proper woman” and reading this in conjunction with Sheila Jeffries’ Beauty and Misogyny for FeMNist non-fiction book club this month was a real pleasure. They meshed so well with Freud demonstrating some of those very real harmful cultural practices outlined by Jeffries [and the suggestion of using spanx as rain gear is just genius].